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In a Sunburned Country Page 2


  So there is a certain sense of achievement just in arriving in Australia—a pleasure and satisfaction to be able to step from the airport terminal into dazzling antipodean sunshine and realize that all your many atoms, so recently missing and unaccounted for, have been reassembled in an approximately normal manner (less half a pound or so of brain cells that were lost while watching a Bruce Willis movie). In the circumstances, it is a pleasure to find yourself anywhere; that it is Australia is a positive bonus.

  Let me say right here that I love Australia—adore it immeasurably—and am smitten anew each time I see it. One of the effects of paying so little attention to Australia is that it is always such a pleasant surprise to find it there. Every cultural instinct and previous experience tells you that when you travel this far you should find, at the very least, people on camels. There should be unrecognizable lettering on the signs, and swarthy men in robes drinking coffee from thimble-sized cups and puffing on hookahs, and rattletrap buses and potholes in the road and a real possibility of disease on everything you touch—but no, it’s not like that at all. This is comfortable and clean and familiar. Apart from a tendency among men of a certain age to wear knee-high socks with shorts, these people are just like you and me. This is wonderful. This is exhilarating. This is why I love to come to Australia.

  There are other reasons as well, of course, and I am pleased to put them on the record here. The people are immensely likable—cheerful, extrovert, quick-witted, and unfailingly obliging. Their cities are safe and clean and nearly always built on water. They have a society that is prosperous, well ordered, and instinctively egalitarian. The food is excellent. The beer is cold. The sun nearly always shines. There is coffee on every corner. Rupert Murdoch no longer lives there. Life doesn’t get much better than this.

  This was my fifth trip and this time, for the first time, I was going to see the real Australia—the vast and baking interior, the boundless void that lies between the coasts. I have never entirely understood why when people urge you to see their “real” country, they send you to the empty parts where almost no sane person would choose to live, but there you are. You cannot say you have been to Australia until you have crossed the outback.

  Best of all, I was going to do it in the swankiest possible way: on the fabled Indian Pacific railroad from Sydney to Perth. Running for 2,720 pleasantly meandering miles across the bottom third of the country, through the states of New South Wales, South Australia, and Western Australia, the Indian Pacific is the queen of the Southern Hemisphere trainwise. From Sydney it climbs gently through the Blue Mountains, chunters across endless miles of big-sky sheep country, traces the Darling River to the Murray and the Murray on toward Adelaide, and finally crosses the mighty Nullarbor Plain to the goldfields around Kalgoorlie before sighing to a well-earned halt in distant Perth. The Nullarbor, an almost inconceivable expanse of murderous desert, was something I particularly longed to see.

  The color magazine of the London Mail on Sunday was doing a special issue on Australia, and I had agreed to file a report. I had been planning to come out soon anyway to start the traveling for this book, so this was in the nature of a bonus trip—a chance to get the measure of the country in an exceedingly comfortable way at someone else’s expense. Sounded awfully good to me. To that end, I would be traveling for the next week or so in the company of a young English photographer named Trevor Ray Hart, who was flying in from London and whom I would meet for the first time the next morning.

  But first I had a day to call my own, and I was inordinately pleased about that. I had never been to Sydney other than on book tours, so my acquaintance with the city was based almost entirely on cab journeys through unsung districts like Ultimo and Annandale. The only time I had seen anything at all of the real city was some years before, on my first visit, when a kindly sales rep from my local publisher had taken me out for the day in his car, with his wife and two little girls in back, and I had disgraced myself by falling asleep. It wasn’t from lack of interest or appreciation, believe me. It’s just that the day was warm and I was newly arrived in the country. At some unfortunate point, quite early on, jet lag asserted itself and I slumped helplessly into a coma.

  I am not, I regret to say, a discreet and fetching sleeper. Most people when they nod off look as if they could do with a blanket; I look as if I could do with medical attention. I sleep as if injected with a powerful experimental muscle relaxant. My legs fall open in a grotesque come-hither manner; my knuckles brush the floor. Whatever is inside—tongue, uvula, moist bubbles of intestinal air—decides to leak out. From time to time, like one of those nodding-duck toys, my head tips forward to empty a quart or so of viscous drool onto my lap, then falls back to begin loading again with a noise like a toilet cistern filling. And I snore, hugely and helplessly, like a cartoon character, with rubbery flapping lips and prolonged steam-valve exhalations. For long periods I grow unnaturally still, in a way that inclines onlookers to exchange glances and lean forward in concern, then dramatically I stiffen and, after a tantalizing pause, begin to bounce and jostle in a series of whole-body spasms of the sort that bring to mind an electric chair when the switch is thrown. Then I shriek once or twice in a piercing and effeminate manner and wake up to find that all motion within five hundred feet has stopped and all children under eight are clutching their mothers’ hems. It is a terrible burden to bear.

  I have no idea how long I slept in that car other than that it was not a short while. All I know is that when I came to, there was a certain heavy silence in the car—the kind of silence that would close over you if you found yourself driving around your own city conveying a slumped and twitching heap from one unperceived landmark to another.

  I looked around dumbly, not certain for the moment who these people were, cleared my throat, and pulled myself to a more upright position.

  “We were wondering if you might like some lunch,” my guide said quietly when he saw that I had abandoned for the moment the private ambition to flood his car with saliva.

  “That would be very nice,” I replied in a small, abject voice, discovering in the same instant, with a customary inward horror, that while I had dozed a four-hundred-pound fly had evidently been sick over me. In an attempt to distract attention from my unnatural moist sheen and at the same time reestablish my interest in the tour, I added more brightly, “Is this still Neutral Bay?”

  There was a small involuntary snort of the sort you make when a drink goes down the wrong way. And then with a certain strained precision: “No, this is Dover Heights. Neutral Bay was”—a microsecond’s pause, just to aerate the point—“some time ago.”

  “Ah.” I made a grave face, as if trying to figure out how we had managed between us to mislay such a chunk of time.

  “Quite some time ago, in fact.”

  “Ah.”

  We rode the rest of the way to lunch in silence. The afternoon was more successful. We dined at a popular fish restaurant beside the pier at Watsons Bay, then went to look at the Pacific from the lofty, surf-battered cliffs that stand above the harbor mouth. On the way home the drive provided snatched views of what is unquestionably the loveliest harbor in the world—blue water, gliding sailboats, the distant iron arc of the Harbour Bridge with the Opera House squatting cheerfully beside it. But still I had not seen Sydney properly, and early the next day I had to depart for Melbourne.

  So I was eager, as you may imagine, to make amends now. Sydneysiders, as they are rather quaintly known, have an evidently unquenchable desire to show their city off to visitors, and I had yet another kind offer of guidance before me, this time from a journalist on the Sydney Morning Herald named Deirdre Macken. An alert and cheerful woman of early middle years, Deirdre met me at my hotel with a young photographer named Glenn Hunt, and we set off on foot to the Museum of Sydney, a sleek and stylish new institution, which manages to look interesting and instructive without actually being either. You find yourself staring at artfully underlit displays—a caseful of immigrant artifacts, a room wallpapered with the pages of popular magazines from the 1950s—without being entirely certain what you are expected to conclude. But we did have a very nice latte in the attached café, at which point Deirdre outlined her plans for our busy day.

  In a moment we would stroll down to Circular Quay and catch a ferry across the harbor to the Taronga Zoo wharf. We wouldn’t actually visit the zoo, but instead would hike around Little Sirius Cove and up through the steep and jungly hills of Cremorne Point to Deirdre’s house, where we would gather up some towels and boogie boards and go by car to Manly, a beach suburb overlooking the Pacific. At Manly we would grab a bite of lunch, then have an invigorating session of boogie boarding before toweling ourselves down and heading for—

  “Excuse me for interrupting,” I interrupted, “but what is boogie boarding exactly?”

  “Oh, it’s fun. You’ll love it,” she said breezily but, I thought, just a touch evasively.

  “Yes, but what is it?”

  “It’s an aquatic sport. It’s heaps of fun. Isn’t it heaps of fun, Glenn?”

  “Heaps,” agreed Glenn, who was, in the manner of all people whose film stock is paid for, in the midst of taking an infinite number of photographs. Bizeet, bizeet, bizeet, his camera sang as he took three quick and ingeniously identical photographs of Deirdre and me in conversation.

  “But what does it entail exactly?” I persisted.

  “You take a kind of miniature surfboard and paddle out into the sea where you catch a big wave and ride it back to shore. It’s easy. You’ll love it.”

  “What about sharks?” I asked uneasily.

  “Oh, there’s hardly any sharks here. Glenn, how long has it been since someone was killed by a shark?”

  “Oh, ages,” Glenn said, considering. “Couple of months at least.”

  “Couple of months?” I squeaked.

  “At least. Sharks are way overrated as a danger,” Glenn added. “Way overrated. It’s the rips that’ll most likely get yer.” He returned to taking pictures.

  “Rips?”

  “Underwater currents that run at an angle to the shore and sometimes carry people out to sea,” Deirdre explained. “But don’t worry. That won’t happen to you.”

  “Why?”

  “Because we’re here to look after you.” She smiled serenely, drained her cup, and reminded us that we needed to keep moving.

  THREE HOURS LATER, our other activities completed, we stood on a remote-seeming strand at a place called Freshwater Beach, near Manly. It was a big U-shaped bay, edged by low scrub hills, with what seemed to me awfully big waves pounding in from a vast and moody sea. In the middle distance several foolhardy souls in wet suits were surfing toward some foamy outbursts on the rocky headland; nearer in, a scattering of paddlers was being continually and, it seemed, happily engulfed by explosive waves.

  Urged on by Deirdre, who seemed keen as anything to get into the briny drink, we began to strip down—slowly and deliberatively in my case, eagerly in hers—to the swimsuits she had instructed us to wear beneath our clothes.

  “If you’re caught in a rip,” Deirdre was saying, “the trick is not to panic.”

  I looked at her. “You’re telling me to drown calmly?”

  “No, no. Just keep your wits. Don’t try to swim against the current. Swim across it. And if you’re still in trouble, just wave your arm like this”—she gave the kind of big, languorous wave that only an Australian could possibly consider an appropriate response to a death-at-sea situation—“and wait for the lifeguard to come.”

  “What if the lifeguard doesn’t see me?”

  “He’ll see you.”

  “But what if he doesn’t?”

  But Deirdre was already wading into the surf, a boogie board tucked under her arm.

  Bashfully I dropped my shirt onto the sand and stood naked but for my sagging trunks. Glenn, never having seen anything quite this grotesque and singular on an Australian beach, certainly nothing still alive, snatched up his camera and began excitedly taking close-up shots of my stomach. Bizeet, bizeet, bizeet, bizeet, his camera sang happily as he followed me into the surf.

  Let me just pause here for a moment to interpose two small stories. In 1935, not far from where we stood now, some fishermen captured a fourteen-foot beige shark and took it to a public aquarium at Coogee, where it was put on display. The shark swam around for a day or two in its new home, then abruptly, and to the certain surprise of the viewing public, regurgitated a human arm. When last seen the arm had been attached to a young man named Jimmy Smith, who had, I’ve no doubt, signaled his predicament with a big, languorous wave.

  Now my second story. Three years later, on a clear, bright, calm Sunday afternoon at Bondi Beach, also not far from where we now stood, from out of nowhere there came four freak waves, each up to twenty-five feet high. More than two hundred people were carried out to sea in the undertow. Fortunately fifty lifeguards were in attendance that day, and they managed to save all but six people. I am aware that we are talking about incidents that happened many years ago. I don’t care. My point remains: the ocean is a treacherous place.

  Sighing, I shuffled into the pale green and cream-flecked water. The bay was surprisingly shallow. We trudged perhaps a hundred feet out and it was still only a little over our knees, though even here there was an extraordinarily powerful current—strong enough to pull you off your feet if you weren’t real vigilant. Another fifty feet on, where the water rose over our waists, the waves were breaking. If you discount a few hours in the lagoonlike waters of the Costa del Sol in Spain and an icy, instantly regretted dip once in Maine, I have almost no experience of the sea, and I found it frankly disconcerting to be wading into a roller coaster of water. Deirdre shrieked with pleasure.

  Then she showed me how the boogie board works. It was promisingly simple in principle. As a wave passed, she would leap aboard and skim along on its crest for many yards. Then Glenn had a turn and went even farther. There is no question that it looked like fun. It didn’t look too hard either. I was tentatively eager to have a try.

  I positioned myself for the first wave, then jumped aboard and sank like an anvil.

  “How’d you do that?” asked Glenn in wonder.

  “No idea.”

  I repeated the exercise with the same result.

  “Amazing,” he said.

  There followed a half hour in which the two of them watched first with guarded amusement, then a kind of astonishment, and finally something not unlike pity, as I repeatedly vanished beneath the waves and was scraped over an area of ocean floor roughly the size of Polk County, Iowa. After a variable but lengthy period, I would surface, gasping and confused, at a point anywhere from four feet to a mile and a quarter distant, and be immediately carried under again by a following wave. Before long, people on the beach were on their feet and placing bets. It was commonly agreed that it was not physically possible to do what I was doing.

  From my point of view, each underwater experience was essentially the same. I would diligently attempt to replicate the dainty kicking motions Deirdre had shown me and try to ignore the fact that I was going nowhere and mostly drowning. Not having anything to judge this against, I supposed I was doing rather well. I can’t pretend I was having a good time, but then it is a mystery to me how anyone could wade into such a merciless environment and expect to have fun. But I was resigned to my fate and knew that eventually it would be over.

  Perhaps it was the oxygen deprivation, but I was rather lost in my own little world when Deirdre grabbed my arm just before I was about to go under again and said in a husky tone, “Look out! There’s a bluey.”

  Glenn took on an immediate expression of alarm. “Where?”

  “What’s a bluey?” I asked, appalled to discover that there was some additional danger I hadn’t been told about.

  “A bluebottle,” she explained, and pointed to a small jellyfish of the type (as I later learned from browsing through a fat book titled, if I recall, Things That Will Kill You Horridly in Australia, volume 19) known elsewhere as a Portuguese man-of-war. I squinted at it as it drifted past. It looked unprepossessing, like a blue condom with strings attached.

  “Is it dangerous?” I asked.

  Now, before we hear Deirdre’s response to me as I stood there, vulnerable and abraded, shivering, nearly naked and half drowned, let me just quote from her subsequent article in the Herald’s weekend magazine:

  While the photographer shoots, Bryson and boogie board are dragged 40 meters down the beach in a rip. The shore rip runs south to north, unlike the rip further out which runs north to south. Bryson doesn’t know this. He didn’t read the warning sign on the beach.*2 Nor does he know about the bluebottle being blown in his direction—now less than a meter away—a swollen stinger that could give him 20 minutes of agony and, if he’s unlucky, an unsightly allergic reaction to carry on his torso for life.

  “Dangerous? No,” Deirdre replied now as we stood gawping at the bluebottle. “But don’t brush against it.”

  “Why not?”

  “Might be a bit uncomfortable.”

  I looked at her with an expression of interest bordering on admiration. Long bus journeys are uncomfortable. Slatted wooden benches are uncomfortable. Lulls in conversations are uncomfortable. The sting of a Portuguese man-of-war—even Iowans know this—is agony. It occurred to me that Australians are so surrounded with danger that they have evolved an entirely new vocabulary to deal with it.

  “Hey, there’s another one,” said Glenn.

  We watched another one drift by. Deirdre was scanning the water.

  “Sometimes they come in waves,” she said. “Might be an idea to get out of the water.”

  I didn’t have to be told twice.

  THERE WAS ONE MORE THING that Deirdre felt I needed to see if I was to have any understanding of Australian life and culture, so afterward, as late afternoon gave way to the pale blush of evening, we drove out through the glittering sprawl of Sydney’s western suburbs almost to the edge of the Blue Mountains to a place called Penrith. Our destination was an enormous sleek building, surrounded by an even more enormous, very full, parking lot. An illuminated sign announced this as the Penrith Panthers World of Entertainment. The Panthers, Glenn explained, were a rugby club.